Skip to main content

tick, tick...BOOM! (2021) Review

Spider-Man Can Sing

SCORE: 91/100

Directed by: Lin-Manuel Miranda
Starring: Andrew Garfield, Alexandra Shipp, Robin de Jesus

Synopsis: On the cusp of his 30th birthday, a promising young theater composer navigates love, friendship and the pressures of life as an artist in New York City.


****BEWARE POTENTIAL SPOILERS AHEAD****


REVIEW:

I didn't think I'd like this film as much as I did. It's not every day that a musical captures my attention so thoroughly, at least none like this.

Let's get the obvious out of the way, Andrew Garfield is a revelation here. I'm pretty sure it's actually him singing through most of this, and he's fantastic. He injects so much emotion, depth, and care into this portrayal of real life playwright Jonathan Larson that it's astounding. I truly mean it that Andrew may be one of the best actors that people sleep on. 

Initially, I thought we were getting more story and detail about his conception of RENT, however as the film went on, I was happy that we didn't see much of it. It focuses, wisely in my opinion, on his conception of Superbia, his unproduced first musical, and frames it through his other production under the same name as the movie. It's a brilliant choice from first time film director Miranda, who clearly has a love and a passion for Larson's work.

The music, except for one moment I'll get to, is great. Again, I'm not the biggest fan of musicals (something I'm trying to change), but this music is effective, well-written, and very catchy. I was tapping my foot throughout most of the movie, and the song in the darkened outdoor theater? It deserves the biggest Chef's Kiss. 

My biggest critique is a moment that happens about halfway into the film. There's a fight between Larson and his girlfriend Susan, but it's being shown at the same time as a weird song about relationships. The song is very upbeat, almost something I'd expect from Disney, and completely undermined the serious relationship moment that was happening in the film. It felt out of place and odd, and took me out of the movie for the three or four minutes it was on. 

That's really my only complaint though. Aside from a few choices made by a first time film director that I didn't agree with, it is a thoroughly encapsulating musical that doesn't go too off the rails and stays on target. If you have Netflix, it's a surefire recommendation from me, and something you will not regret watching. I look forward to seeing it around Oscar season. 

Final Thought: tick, tick...BOOM! is an incredible musical with a tremendous performance from Andrew Garfield that rarely stumbles, and pays a laudable tribute to the man it's about.

Score: 91/100

Comments

Popular posts from this blog

Catching Up (Week Ending 9/5)

The Good, The OK, and The Ugly Hey everyone! I thought I'd try out a new idea by giving short reviews for films that I've watched over the last week in addition to the ones I review here and on The Drive Back. Each film below is one that I've seen over the last week, either on the show or on my own, and will provide a quick summary and review score. Films that were discussed on the podcast will have a shorter review than ones I've watched on my own. I will not include new releases like Shang-Chi or Candyman, which I am currently finishing my written reviews for separately. So let's give it a shot! Let's start with the films reviewed on The Drive Back this week.  How to Train Your Dragon (2010) REVIEWED ON PODCAST SCORE: 73 /100 Podcast Episode Link:  https://youtu.be/BiE6ILjdRqM Directed By: Dean DeBlois and Chris Sanders Starring: Jay Baruchel, Gerard Butler, America Ferrera Synopsis: A hapless young Viking who aspires to hunt dragons becomes the unlikely frien...

Skinamarink (2023) Review

Pure Nightmare Material SCORE: 97 /100 Directed by: Kyle Edward Ball Starring: Lucas Paul, Dali Rose Tetreault, Ross Paul Synopsis: Two children wake up in the middle of the night to find their father is missing, and all the windows and doors in their home have vanished. ****I WILL DO MY BEST, BUT BEWARE POTENTIAL SPOILERS AHEAD**** REVIEW: Quick Note: This film is not for everyone. The film is experimental, artistic, and genuinely trying to do something new. Whenever this happens not everyone will be on board, and that's fine. We can't just sit content with what we have, and I give all the power to filmmakers who try to push the envelope. I've never been so terrified by a movie in recent memory like I was with Skinamarink. Its unconventional nature and pacing really throw you off after a first time viewing, and lend to its unnerving nature.  Before I continue, I must divulge that I am already a fan of "analog horror" content online. I highly recommend Gemini Home...

Vol. 3: The Subliminal Verses by Slipknot (2004) Album Review

Metal Mastery (WARNING) - The review for this album may include language or themes some may find distressing or disturbing. Artist: Slipknot Album: Vol. 3: The Subliminal Verses Year: 2004 Band Lineup for Album: Sid Wilson - DJ/Samples, Joey Jordison - Drums, Paul Gray - Bass, Chris Fehn - Percussion, Jim Root - Guitar, Craig Jones - Samples, Shawn Crahan - Percussion, Mick Thomson - Guitar, Corey Taylor - Vocals This was the newest album that was out at the time I discovered the band, and it's the album I remember the most fondly. As we'll dive into through the course of this review, I think this is the band's best work out of the original lineup. Released in 2004 following speculation that the band would break up, Vol. 3 was the band's return to the spotlight after members were involved in other projects. It was one of the hardest recording processes for the band, as they were working with famed producer Rick Rubin (who apparently the band hated working with), and tha...